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cate mcquaid
An exhibition of works from LeWitt's "Locations" series of the mid-1970s, in which he deploys text, lines, and geometric forms to explore what it means to create structure. Cate McQuaid, Globe Correspondent
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If you’ve seen the ambitious and stunning “Sol LeWitt: A Wall Drawing Retrospective’’ that opened last year at Mass MoCA, you have taken in the sheer scope of LeWitt’s output on walls. The show now up at Barbara Krakow Gallery offers a comparatively microscopic view. It’s an edifying show, focused more on LeWitt’s conceptual underpinnings than on any visual bravado. Good enough: The conceptual underpinnings are what made LeWitt a groundbreaking artist. (Full review)