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Genre Drama
Running Time 108 min
Release Date Oct 16, 2009
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Law Abiding Citizen

Clyde Shelton is an upstanding family man whose wife and daughter are brutally murdered during a home invasion. When the killers are caught, Nick Rice, a hotshot young Philadelphia prosecutor, is assigned to the case. Over his objections, Nick is forced by his boss to offer one of the suspects a light sentence in exchange for testifying against his accomplice. Fast forward 10 years. The man who got away with murder is found dead and Clyde Shelton coolly admits his guilt. Then he issues a warning… Show more

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CRITICS REVIEWS
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Oct. 16, 2009 - Boston.com - Wesley Morris, Globe Staff

You don’t want to snicker when two rows of parked cars suddenly blow up in “Law Abiding Citizen.’’ But that’s the only response to such desperate moviemaking. There’s no earthly reason for that explosion. Nor is there an explanation for lines like, “I do my job. I’m the best at it. It works.’’ That’s Jamie Foxx to Gerard Butler, but it may as well be Tom Cruise in anything.

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(no rating) Oct 17, 2009 - de-liberatedmind on Law Abiding Citizen
Coulda Woulda Shoulda

The ingenuity and complexity of suspense in this film is refreshing, as is equally the plot. It has been a long time since a first-class, nail biting, on the edge of your seat, intelligent macabre suspense story and film on the scale of Silence of the Lambs and Se7en was made. Law Abiding Citizen came close in plot and suspense, but missed the boat. Kudos to F. Gary Gray for a good attempt. BUT, unlike Silence of the Lambs and Se7en, Law Abiding Citizen will likely not even garner one industry nomination, let alone a win. Too bad F. Gary Gray, screenwriter Kurt Wimmer and the host of producers decidedly chose the easy route to opt to make a low-budget almost-but-not-quite-good [hopefully] money maker rather than work smarter not harder to create a low-budget classic-award-winning film. Such a wasted opportunity. The film plot has extraordinary potential. Wow, it’s too bad that the film instead is glued together with ridiculous amateur scenes [like the prosecutor publically shaking hands with the convicted accomplice in the slaying of a mother and her child] and injected with simplified unintriguing cliché dialogue [like, “if you even think about touching my family” . . . WHAT?] Now Hollywood machinery will crank out a dozen or so formulaic versions of a could-have-been-great-film and we consumers can be reminded again why we stopped going to movies.

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