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Moonrise Kingdom
Set on an island off the coast of New England in the summer of 1965, two twelve-year-olds fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore -- and the peaceful island community is turned upside down in more ways than anyone can handle.
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Fourteen years ago I bounced out of my seat at the end of Wes Anderson’s “Rushmore.” It was one of the happiest moments of my moviegoing life. Anderson had appropriated the French New Wave in order to honor this very particular type of young American attitude. It was mock-sophisticated and actually sophisticated, pretentious and unpretentious, arch but sincere – this impossible balance of snobbery, warmth, and pseudo-adolescent craftsmanship. Were you so inclined, it was the sort of movie you would have made about your own high-school experience – a comedy that exalted your brilliance, “Ferris Bueller” with a much higher SAT score. When it was over, I just kept saying, “yes, yes, yes.”
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