Ambitious young Manhattanite and urban conservationist Beth wants it all -- a good job, good friends, and a good guy to share the city with. Of course that last one is often the trickiest of all. Beth falls hard for Tommy, a sexy, young Wall Street hot-shot. But just as everything seems to be falling into place, complications arise in the form of Tommy's sensitive and handsome co-worker Daniel. Beth soon learns that the game of love in the big city is a lot like Wall Street -- high risk, high reward and everybody has an angle.
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Were it smarter or more entertaining or simply better made, “The Good Guy’’ could have been a decent anthropological survey of the Wall Street wilderness. The scheming, the starch, the self-regard. It instead wants to be a romantic drama. That’s a mistake. For that you would need high stakes, shameless acting, and the sense that love means something more than falling for a banker because he, too, likes “Pride and Prejudice.’’ “The Good Guy’’ sits several rungs lower. It’s network television drama, starring actors best known for their TV work and full of the petty gripes and mild worries of characters who really have nothing compelling to worry about. (Full review)